Profile for dollyhaze
Member Since: 31 Jul 2005Total Topics: 7
Total Comments: 27
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why mark should write on walls
Using the large white wall as a blank endless canvas is in many ways what Mark does best. his gallumping figures, blasé alien life forms with puffed up cheeks, upside down spotted Super Mario mushroom...
Written by
dollyhaze
14 Nov 2006
in Reviews
5 Comments
Newest Comment
John Hurrell
16 Nov 2006 7:06 pm
Rob Hood and The Resuscitation of Romance
Let us go then, you and I, When the evening is spread out against the sky
Written by
dollyhaze
30 Mar 2006
in Reviews
26 Comments
Newest Comment
John Hurrell
31 Mar 2006 10:16 pm
mad dance of screech owls, sharp pricking sauce of ...
Picasso show compared to Campbell Grant's previous show on Robert McLeod.
Written by
dollyhaze
8 Dec 2005
in Reviews
2 Comments
Newest Comment
PickmansModel
9 Dec 2005 3:17 pm
Roger Mortimer Interview
I met Roger at his show “Supercover†at Brooke Gifford’s in Christchurch about a month ago. We went to the Dux for a couple of beers and spoke a little about his work. The conversation culminated...
Written by
dollyhaze
18 Nov 2005
in Rants
4 Comments
Newest Comment
dollyhaze
2 Dec 2005 2:01 am
Watergated
I'm like a stepping razor Don't you watch my sides I'm dangerous, said I'm dangerous I'm like a stepping razor
Written by
dollyhaze
22 Sep 2005
in Reviews
11 Comments
Newest Comment
Populuxe
6 Oct 2005 7:19 pm
mark braunias
The opening was really fun but mostly, I really love what Mark Braunias did to the Smart gallery. Both rooms are filled with madness and color, like cartoon dreams from childhood.
Written by
dollyhaze
24 Aug 2005
in Reviews
7 Comments
Newest Comment
Populuxe
14 Sep 2005 5:45 pm
Bill Riley
I've never heard of Bill Riley before and the opening was sparsely attended, just about 15 of us and a help yourself wine table which was pleasant.
Written by
dollyhaze
12 Aug 2005
in Reviews
9 Comments
Newest Comment
Artbasher
27 Aug 2005 2:25 pm
Newest Comments
. artists are not obliged to say anything about their work. visual, literary, musical arts are open to limitless interpretation, the worst kind of art is art that is finite as it never lasts.
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10 Jun 2006 2:07 pm reply to Turgid Birds
gallery observation www.lunchbox.net.nz obviously what i think since i wrote it.
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8 Jun 2006 1:17 pm reply to Turgid Birds
the delight of reading i just wish more people would go up to the js gallery and read the narrative written and crossed out on the monomimes instead of make predictable assumptions about et al's work...
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7 Jun 2006 1:33 pm reply to Turgid Birds
these are the fragments i have shored the et al collective does not try and refute the past. l budd and b readymade in this show gathers up fragments from previous work and discusses the instablity o...
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6 Jun 2006 1:47 pm reply to Turgid Birds
ugh the et al collective should not be viewed in such 70s outdated victorian claptrap terms as "hysteric." startling vitrines that refer you into white blindness, pastel text that crosses you out r...
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5 Jun 2006 9:37 pm reply to Turgid Birds
riverrun, past Eve and Adam's, from swerve of shore to bend of bay, brings us by a commodius vicus o A transference of the opening and the show into the vernacular. Yeah you got it, pattern recognitio...
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4 Feb 2006 6:47 pm reply to Abyss of Reflections
Given! A way a lone a last a loved a long the dear shannon spot on. lovely. dolly
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30 Jan 2006 10:15 pm reply to Abyss of Reflections
giggle If he has such a monopoly, dude, than why wasn't he mentioned in Moore's top ten most influential people in the arts? Unless, he's like, art mafia or something ;)
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8 Dec 2005 6:40 pm reply to Art Critical Monopoly?
