It is extremely interesting in these current questioning times - when the notion of ‘site specificity’ is being loudly challenged by Miwon Kwon, Claire Doherty, James Meyer and others – to see th...
Let’s talk first about reading…When you notice them, the textual convention of footnotes can be a dilemma. Sometimes the annotated references in an essay are far more interesting than the carefully...
The second instalment of PX is much closer to the first than what might have been anticipated, but with a very different focus. Here Jan Bryant has looked at tropes of painting rather than materialitie...
Thornley's constructions consist of various interlocking pieces made of wood, each separate element covered with canvas, gessoed, painted and then assembled. A painstaking process for works that by the...
Shepherd’s towering, revolving statue of a hetero couple ecstatically screwing, accompanied by lurid lighting and a disco soundtrack, makes a pithy comment about economy and repression. Shepherd’s ...
Hamilton’s mini-gallery Ledge is found just around the corner from RAMP in Collingwood St, in the adjacent Media Arts foyer next door. It usually presents its exhibitions enclosed within a Perspex bo...
I’m very partial to Julian Dashper’s minimalist paintings, maybe his circular images more than the rectangular stretchers with stripes -although the four coloured, canvas work pictured here is part...
It is an exciting notion, the premise underpinning this exhibition, that painting perseveres despite its so-called political irrelevance. It shows no sign of disappearing, while continuing to unblushin...
Hi Mark I'm the map painter Artbasher told you about.I usually work with ways I've discovered of drawing using maps, and always with black paint only. As AB said above,I don't usually browse the store...
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Actually Dane Mitchell should have got $20,000. The other art award held in Hamilton in the Gardens every year has that amount, not $15,000, for prize money. He was robbed.
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Early Cohen use of floor drawing robot was fantastic, but then the works became figurative and corny. He never got the machine to make colour decisions,either, I think? Such a shame.
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Surely manual skill should not intrude on the ideas or raison d'etre of the work -assuming they exist. It should not be ostentatious or flashy, but be merely sufficient to do the job. Craft by itself, ...
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Like yr comments above, TW. David is an inspired choice. Pure brilliance. She is forthright and clear about her view of things. Her visit cannot help but be immensely interesting. Despite the dreadful...
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One might disagree with Catherine David's style of assembling exhibitions, but let's not get personal and racist. At least she puts her name next to what she believes, and doesn't pathetically hide beh...
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